I wear an authentic Japanese kimono for a boudoir picture. The photographer instructs me to kneel - my back to the camera - in the center of my king-size bed with the white sheets, white vintage headboard, and oil painting of a nude hanging overhead on off-white walls. The short black Kimono with peach lotus flowers, circa 1960's Kyoto, Japan, is center stage (I purchase the robe on a trip to Rome last Christmas). I turn towards the camera: sleeves hanging, coral choker sitting heavy on my neck. I smile. I am not beautiful. My brown eyes are asymmetrical; nose is too long; cheeks are too full; hair is too curly. I am a strange, sensual one-of-a-kind with long lashes, full lips and gap-toothed grin, what the French call a Jolie Laide - an ugly/beautiful that cannot be duplicated. On the screen of the photographer's digital camera, I see a Geisha.
I See a Geisha
I wear an authentic Japanese kimono for a boudoir picture. The photographer instructs me to kneel - my back to the camera - in the center of my king-size bed with the white sheets, white vintage headboard, and oil painting of a nude hanging overhead on off-white walls. The short black Kimono with peach lotus flowers, circa 1960's Kyoto, Japan, is center stage (I purchase the robe on a trip to Rome last Christmas). I turn towards the camera: sleeves hanging, coral choker sitting heavy on my neck. I smile. I am not beautiful. My brown eyes are asymmetrical; nose is too long; cheeks are too full; hair is too curly. I am a strange, sensual one-of-a-kind with long lashes, full lips and gap-toothed grin, what the French call a Jolie Laide - an ugly/beautiful that cannot be duplicated. On the screen of the photographer's digital camera, I see a Geisha.
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